Tea renders her personal story with such ferocity, such soul, such shameless, wild-ass detail and weird delight, she will probably be banned from North Carolina for life. Tea founded the literary nonprofit RADAR Productions and, with Sini Anderson, the spoken word tour Sister Spit. With Black Wave, Michelle Tea has made a quantum leap, surpassing even the fearlessly fucked up and spit-kiss vivid genius of her previous workwhich is saying something. She edited the anthologies Sister Spit: Writing, Rants and Reminiscence from the Road (2012), Baby, Remember My Name: An Anthology of New Queer Girl Writing (2007), Without a Net: The Female Experience of Growing Up Working Class (2004), and, with Clint Catalyst, Pills, Chills, Thrills and Heartache: Adventures in the First Person (2004).Ī self-publishing advocate, Tea has won a Lambda Literary Award and was Zale Writer-in-Residence at Tulane University. Her numerous books include the essay collection Against Memoir: Complaints, Confessions & Criticisms (2018), for which she won the PEN / Diamondstein-Spielvogel Award for Art of the Essay Modern Tarot: Connecting with Your Higher Self Through the Wisdom of the Cards (2017) the poetry collection The Beautiful: Collected Poems (2003) the novels Rose of No Man’s Land (2006) and Valencia (2000) and memoirs Rent Girl (2004), illustrated by Lauren McCubbin, The Chelsea Whistle (2002), and The Passionate Mistakes and Intricate Corruption of One Girl in America (1998). Influenced by poet Eileen Myles and photographer Nan Goldin, Tea writes narrative poetry and prose that explore issues of class, queer identity, feminism, and autobiography. Postpunk performance poet and writer Michelle Tea grew up in Chelsea, Massachusetts.

Black Wave by Michelle Tea